A formerly cross-continental & cross-apartmental, now cross-town discussion on film featuring Owen and Matt

Saturday, December 26, 2009

The Two Pagodas


RED CLIFF (PARTS ONE AND TWO)

In his first film since 2003's Paycheck, and his first Chinese film since 1992's Hard Boiled, John Woo recounts, in grand, old silver-screen style, an episode from ancient Chinese history, relatively unknown in the West (if I'm any barometer) but as celebrated in the Far East as Washington's winter at Valley Forge or Robin Hood's struggles against Prince John.

In the early third century, the great Han Dynasty is in decline, and the tyrannical prime minister Cao Cao (Zhang Fengyi) effectively rules in the emperor's name. In southern China, numerous warlords have risen up to resist him, including Liu Bei (You Yong), who struggles to shelter refugees fleeing from Cao Cao's forces. Hope for resistance lies in Sun Quan (Chang Chen), the most powerful warlord but inexperienced, who hasn't yet openly breached with Cao Cao. To bring Sun Quan into alliance against Cao Cao, Liu Bei sends his brilliant strategist and diplomat Zhuge Liang (Kaneshiro Takeshi) to Sun Quan's court; he succeeds, and Zhuge Liang joins Sun Quan's great lieutenant, Viceroy Zhou Yu (Tony Leung), at his encampment at Red Cliff, strategically guarding the Yangtze River, to defend the south against Cao Cao's vast advancing army and navy. Complicating matters is the fact that Cao Cao harbors a love for Zhou Yu's beautiful wife, Xiao Qiao (Lin Chi-ling), and may be using the war to obtain her at last. (Hope you're paying attention, because this will be on the final. Seriously, though, it makes a lot more sense while you're watching it.)

All this just sets the stage for the main body of the story, Zhou Yu and Zhuge Liang's defence of Red Cliff against Cao Cao's approaching army and his navy sailing down the Yangtze. Amidst this, there is a multitude of strategies, counter-strategies, personality clashes, and setbacks over the film's two and a half hours. (The version of Red Cliff released in Asia was released in two installments totalling four hours and forty minutes.) Basing his account on the third-century Records of the Three Kingdoms, Woo has created an epic historical romance with sweeping scope, intense action, and enough room left over for tender moments shared by Zhou Yu and Xiao Qiao, the growing respect and friendship between the brawn of Zhou Yu and the brains of Zhuge Liang, and even a little humor. The first comparison that came to mind watching this was Peter Jackon's The Lord of the Rings; both have huge scope but keep the focus on the individuals bringing all of it about, while doing so in a grand, old-fashioned, ripping-yarn way. Zhou Yu is Aragorn, the noble-hearted hero fighting for country and love; Zhuge Liang is a younger, less magical Gandalf, the strategic mastermind uniting all the forces of good; Sun Quan's sister Sun Shangxiang (Zhao Wei) is Éowyn, the man-hearted princess who insists on joining the fight. Basically, if you liked The Lord of the Rings and aren't adverse to reading subtitles or learning a little about Chinese history along the way, Red Cliff should be a good time.

(The story is told in media res, covering only a few months in late A.D. 208 and early 209, so you don't really find out what happens after the Battle of Red Cliff. Zhou Yu died of natural causes about a year after the battle; unfortunately, the Latin-alphabet Wikipedias don't say anything about Xiao Qiao's fate. Cao Cao returned to the north, where he continued to rule until his death in 220; his son Cao Pi succeeded to his position, forced the last Han emperor to abdicate, and became the first emperor of the Wei Dynasty in northern China. Liu Bei, as a distant relative of the deposed Han, then declared himself emperor as well, founding the Shu Dynasty in southwestern China's Sichuan Basin; he died in 223. Zhuge Liang continued to serve Liu Bei and his new dynasty as chancellor, waging several wars against Cao Cao and his successors before dying in 234. After wavering between allying with and fighting Cao Cao and the Wei, in 229 Sun Quan declared himself emperor of the Wu Dynasty—the third of the "three kingdoms"—in most of southern China; he ruled, first as warlord and then as emperor, for more than a half-century, dying in 252. Eventually, the Wei defeated Liu Bei's son and conquered the Shu, then the Wei were deposed by the Jin Dynasty, which then conquered the Wu and reunited China in 280 after sixty years of division. Thank you, Wikipedia.)

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By an interesting coincidence, the discovery by Chinese archeologists of the tomb of the film's villain, Cao Cao, was just announced. Excavations have been going on since last year on the partially subterranean mausoleum in the village of Xigaoxue, in the Province of Henan. According to tradition, Cao Cao wished to be buried very simply, which reportedly is borne out by the fact that the tomb contains little in the way of precious artifacts. However, tradition also tells that Cao Cao had seventy-two tombs built in order to thwart robbers, so hopefully they have the right one.

Tuesday, December 22, 2009

Local School Makes Good


It almost killed me, but I made it through the fall semester in one piece, so now I'm free to return my attention to more important matters.

A couple weeks ago, my uncle Kevin back home in Portland sent me this article in the Portland Sentinel about native son Gus Van Sant's filming his next film, Restless (still "untitled project" according to IMDb; apparently neighborhood papers in Portland, Oregon, have better info than major, supposedly encyclopedic websites), in our former neck of the woods, North Portland. And not just anywhere in North Portland, but at Holy Redeemer School, where I went for eight years and you for three (if I remember correctly).

Knowing the transience of online information, I'll give you the lowdown in case the story's not available for long. Apparently, Gus was looking for a parking lot, and someone associated with the production, who has a kid at Holy Redeemer, suggested our alma mater. I'm sorry to say that it doesn't sound like the parking lot gets a lot of screen time, since they were only filming there one day (Veterans' Day, when it would be child-free), or which members of the cast were present. Speaking of the cast, it includes Mia Wasinkowska (from Tim Burton's upcoming Alice in Wonderland), Jane Adams (terrific as Joy in Todd Solondz's Happiness, one of my all-time favorite films—seriously, what does that say about me?), Chin Han (the evil Chinese businessman who gets shanghaied from Shanghai (I couldn't resist) by Batman in The Dark Knight), and Henry Hopper (Dennis's son). It's being produced by Van Sant, Ron Howard, his lovely daughter Bryce, and Hollywood über-producer Brian Grazer. Whether this means Restless will be one of Van Sant's more mainstream films, or one of his quiet, moody art-house works, remains to be seen.

Attached to the article is a video (by the looks of it, made using someone's phone) with an interview with Holy Redeemer's principal, as well as some shots of Holy Redeemer Church and the crew's trucks and equipment on Portland Boulevard (a.k.a. "Rosa Parks Way"). Obviously, I think this is pretty cool, especially since last year saw Wendy and Lucy (directed by Kelly Reichardt (Old Joy) and starring Michelle Williams), significant parts of which were filmed on Lombard Street just a few blocks down from our respective houses; in fact, my dad used to work at the store where a good deal of the film takes place, where Wendy's car is parked and she meets the security guard. Who knows, maybe before we know it the Saint Johns Bridge will be as cinematically iconic as the Brooklyn Bridge in Woody Allen's Manhattan, or the Kenton Paul Bunyan statue as memorable a landmark as the Hollywood Sign.

More on Restless in particular and the North Portland film industry in general as events merit.